Jim was privileged to work as archaeologist and host of the international TV documentary series The Sea Hunters for its full six-season run (2001-2006).

The Sea Hunters, produced by Eco Nova Productions, aired on the National Geographic and History Television Channels and was watched by over 42 million viewers in 172 countries worldwide each year.

It now plays on in reruns and in a DVD series of selected episodes.

With Clive Cussler and Mike Fletcher

Here Jim poses with fellow Sea Hunters and friends Clive Cussler and Mike Fletcher in Clive’s office in front of a model of the famous ghost ship Mary Celeste, whose burnt and broken bones the team located and identified on a Haitian reef.

Peggy’s Cove, Nova Scotia

Jim with fellow Sea Hunters Warren Fletcher, Bill Jardine (who edited several of the shows), John Davis and Mike Fletcher at the end of a long dive day off Peggy’s Cove, Nova Scotia.

Sea Hunters in New Jersey
Sea Hunters in New Jersey

An Exclusive Interview with History Television and James Delgado

James Delgado: I’m an archaeologist who was trained anthropologically-that is, the basis of my interest in the past comes from a passion for knowing more about people, and how we behave. Shipwrecks offer a chance to study human behaviour through wreck events, which always seem to bring out the best-and the worst-in people. I was also trained to be a historian when I was in school, which fits nicely with being a shipwreck archaeologist because the branch of archaeology I belong to is closely affiliated with historical archaeology – the study of the recent past (that is, someone has written about it!). Being a “sea hunter” means I get to be an explorer sometimes, and when I write about it all, then I’m an author. What this all means is that I’m usually way too busy, but having fun.
I see my underwater adventures-and those of fellow sea hunters Mike and Warren Fletcher-as privileged times to touch the past, thrilling opportunities to risk it all for science and history, scary moments when you almost do not make it back, and a unique chance to see the history preserved in the darkness of the depths. Diving shipwrecks is an emotional roller coaster, and many of the wrecks I have explored have left me some lasting and profound memories, especially Titanic, USS Arizona, and USS Merrimac-as well as sunken or flooded places like Mittelbau-Dora.
It usually takes about a year, sometimes longer. It begins with an idea-Mike will say, “I’ve heard about this wreck, was it ever discovered?” or I will tell about a colleague’s project…or Clive will simply say, “Let’s go find this wreck.” Then we begin the detailed research. That can take some time, especially if we have to search for a wreck. It is not that easy-you need to have some idea of where a ship sank, and in some cases, even having a position, from a ship’s log, or a survivor’s account, does not mean that “X marks the spot.” When the team searched for Carpathia, there were several positions on a chart-where Carpathia‘s radio operator reported she was sinking, where the German U-Boat that torpedoed her said she sank, and where the ship that rescued Carpathia‘s survivors said she sank. It turned out Carpathia was not near any of those points. But these different positions did help us define a search area on the ocean to start looking.

We’re also looking for the people stories, the connections to real life that make these wrecks such a compelling dive. Because this is for television, we also need to find images, historical photos, plans, portraits of the people, or for more modern stories, footage.

Then we have to plan the logistics of the survey, the dives, and of course just getting there, which can be difficult when you are going to a remote place like Disko Bay, where we dived on the lost Arctic ship Fox. You’re not just flying people in. We travel with sidescan sonar, with heavy dive gear, film equipment, and in some cases to spots where we have to go through difficult customs clearances. Then try planning a trip to a remote island (like we did last season in Panama) where you have no electricity, and no place to live except the deck of an open boat or a tent on an insect-infested beach.

Then we go…and those trips can take some time to just get there. We work hard, sometimes around the clock. When our team finally arrives home, there are a few months of preparation to make a completed episode…and I have archaeological reports to write!

There are a few…Vrouw Maria is one because of the incredible preservation of this intact ship from 1771 and the crates of Catherine the Great’s lost art, followed for me by the Mongol invasion fleet of Kublai Khan’s failed 1281 invasion of Japan, and our dives into the flooded Nazi factories and concentration camp at Mittelbau-Dora. So much of what we see intrigues me, though, which is why I wrote Adventures of a Sea Hunter-to share the intrigue, the passion, and the incredible stories we encounter when we dive.
The divers come up with some of the ideas of where we will go, and what we will search for. Clive Cussler always has a suggestion, and, well, I have a list… Mike Fletcher knows many people around the world, and he has brought some of our more amazing adventures to the table, like Vrouw Maria and Wilhelm Gustloff. John Davis, our producer, is also well-acquainted and well known, and he’s introduced some fantastic dives. We also get input and advice from viewers all over the world, and that’s great! We like hearing from the people who enjoy The Sea Hunters.